- Brand:: Gita Press, Gorakhpur
- Category: Hindi (हिन्दी)
- Product Code: 0042
Sri Hanuman Ank (Hindi)
इसमें श्रीहनुमान्ïजीका आद्योपान्त जीवन-चरित्र और श्रीरामभक्तिके प्रतापसे सदा अमर बने रहकर उनके द्वारा किये गये क्रिया-कलापोंका तात्त्विक और प्रामाणिक चित्रण है। श्रीहनुमान्ïजी को प्रसन्न करने वाले विविध स्तोत्र, ध्यान एवं पूजन-विधियोंका भी इसमें उपयोगी संकलन है।
Rs.230.00
Weight | 1.200 kg |
---|---|
Dimensions | 8.7 × 5.51 × 1.57 in |
Based on 0 reviews
Only logged in customers who have purchased this product may leave a review.
Related products
-
Prabhat Prakashan, जीवनी/आत्मकथा/संस्मरण, राजनीति, पत्रकारिता और समाजशास्त्र, सही आख्यान (True narrative)
DELHI RIOTS: Conspiracy Unravelled
Prabhat Prakashan, जीवनी/आत्मकथा/संस्मरण, राजनीति, पत्रकारिता और समाजशास्त्र, सही आख्यान (True narrative)DELHI RIOTS: Conspiracy Unravelled
0 out of 5(0)The Truth of Delhi Riots is Unearthing Gradually
“As per our plan, on February 24 we called several people and told them how stones, petrol bombs and acid bottles are to be thrown. I shifted my family to another place. At about 1.30 p.m. in the afternoon on February 24 we began pelting stones.”
Only those who are not familiar with the real face of the Aam Aadmi Party will be surprised or shocked by the above statements made by the now expelled counsellor Tahir Hussain. The Aam Aadmi Party used its network of people associated with mosques and madarsas and relied on leaders such as Tahir Hussain and Amanat Ulla Khan to bag the Muslim votes in Delhi. In return for the votes, it seems that the party gave the license to a specific community to consign north east Delhi to flames.
Now that the chargesheet has been finalised by the Delhi Police about the riots that took place in East Delhi, it will be a fallacy to disassociate the riots that took place in places such as Jafrabad, Maujpur, Babarpur, Gokul Puri, Karawal Nagar, Bhajanpura, Yamuna Vihar from the violence that took place during the anti-CAA protests.
The violence that occurred during the anti-CAA protests in places such as Shaheen Bagh, Jamia Nagar, Seelampur were actually the precursor to a big riot.
The riot that took place in the north-east parts of Delhi during US President Donald Trump’s visit from February 23-26, 2020. For the violence that was orchestrated during these riots, the work of collecting empty bottles, stones and storing these on rooftops of houses had begun on February 4. Many people of the Muslim community had filled petrol in their vehicles so that this fuel could later be used for making petrol bombs. In many Muslim families, pamphlets about such riots were distributed with instructions on how to deal with Hindus. It is not rocket science to understand that the Muslim community was already prepared for the riots that broke out in north-east Delhi. Hindus did not get a chance to get their act together. Slowly the conspiracy behind the riots is unraveling and the lies perpetrated by the Communist ecosystem are falling flat.SKU: n/a -
Akshaya Prakashan, राजनीति, पत्रकारिता और समाजशास्त्र, सही आख्यान (True narrative)
WHAT IS MODERATE ISLAM?
Akshaya Prakashan, राजनीति, पत्रकारिता और समाजशास्त्र, सही आख्यान (True narrative)WHAT IS MODERATE ISLAM?
0 out of 5(0)“Richard L. Benkin has put forth a solid collection of chapters on one of the most critical topics of the dayódistinguishing between moderate Muslims and Islamists. With the growing threat of Islamist groups in the Middle East and their affiliates in the West, the issue of identifying moderates necessitates a clear and guided answer, which is detailed throughout these chapters. This book is a must-read for anyone seeking to understand the complexities and nuances of the Muslim world at large.” – Asaf Romirowsky, Middle East Forum Radical Islam is a major affliction of the contemporary world. Each year, radical Islamists carry out terrorist attacks that result in a massive death toll, almost always involving noncombatants and innocents. Estimates of how many Muslims could be considered followers of radical Islam vary widely, and there are few guides to help distinguish moderates from radicals. Observers often sit at the extremes, either seeing all Muslims as open or closeted jihadis or recoiling from any attempt to link Islam with international terror. Both positions are overly simplistic, and the lack of rational principles to absolve the innocent and identify the accomplices of terror has led to governments and individuals mistakenly accepting jihadis as moderate. What is Moderate Islam? brings together an array of scholars and activists -Muslim and non-Muslim- to provide this missing insight. This wide-ranging collection examines the relationship among Islam, civil society, and the state. The contributors investigate how radical Islamists can be distinguished from moderate Muslims, analyze the potential for moderate Islamic governance, and challenge monolithic conceptions of Islam.
SKU: n/a -
Vani Prakashan, अन्य कथा साहित्य, धार्मिक पात्र एवं उपन्यास, सही आख्यान (True narrative)
Meera Vs Meera
Vani Prakashan, अन्य कथा साहित्य, धार्मिक पात्र एवं उपन्यास, सही आख्यान (True narrative)Meera Vs Meera
0 out of 5(0)Meera Vs Meera
Introduction
Meera Vs Meera is a translation of a well-received book Pachrang Chola Paher Sakhi ri in Hindi published by Vani Prakashan, New Delhi in 2015. For centuries, the masses regarded Meera’s poetry as a medium of expression of their feelings and emotions. Meera’s poetry, though interpreted in multiple
ways has dwarfed, weakened and gulfed her persona. The religious discourses and narratives festered with her religious aspect, whereas European historians during the colonial period in India focussed on elements of love, romance and mystery in Meera’s life.
The Marxist critics and neo-feminist activists highlighted Meera’s narratives related to her courage and self-determination, which she exhibited during her times. In this process the human aspects of Meera were completely side-lined which is far more evident from her poetry.
Meera vs Meera is the first book I picked up in the freezing early weeks of this year to keep myself mentally warm and agile. I walked through the twilight struck alleys of history and explored Meera – the famous bhakti poet, folk saint, feminist poet, and empowered feudal woman. The list of adages attributed to her are endless.
Meera Vs Meera is a delightful translation of a critically acclaimed book Pachrang Chola Pahar Sakhi Ri by Prof. Madhav Hada. The book tries to explore and mirror with greater accuracy while adding a more human side to the myriad images of Meera that exist not only in the public memory of the people of Rajasthan specifically and India at large but also the ones that are reflected in historical accounts, folk narratives and even the popular forms of media.
Pradeep Trikha has taken up the daunting challenge of translating the already well-written and thoroughly researched book into English to enable the kaleidoscopic ensemble of Meera reach the English readership, thus enlarging its purview to almost a global level. As rightly said by the literary and cultural theorist George Steiner, “Without translation, we would be living in provinces bordering on silence.”
A reading of the first few pages itself, gives the reader a glimpse of the gravity of translation and the insurmountable obstacles that Prof. Trikha must have faced. The translation flows uninhibited which creates a fine deception of words flowing effortlessly out of the translator’s pen. Yet, to a keen and watchful reader, the hindrances are obvious. To render the vernacular and folk flavour in another language as culturally different as it could be is a road with endless impasses.
The book tries to recreate the ever-elusive human side of the historical character of Meera that has been canonised, romanticised, popularised over the centuries depending upon the type of lens that the creator used. The book puts forth a whole new aspect of Meera – the person through a well-researched and balanced use of historical sources, regional evidence, religious discourses, folk narratives and Meera’s poetry. The translation carefully presents the nuances of the persona of Meera through eloquent descriptions with an intelligent blend of the use of appropriate vernacular vocabulary. Prof. Trikha has been successful in maintaining the cultural ethos of the times by choosing the right regional words presented in italics with their translation in parenthesis that are able to put across the meaning skilfully. The choice of these words also reflects the vital linguistic decisions that he must have taken to preserve the original flavour of the book without letting his personality being reflected in the book. Being a writer, critic, and poet himself, it must have been a tightrope walk not to let his voice take over.
The immense literary and critical value of the translation cannot be denied, given the fact that Meera’s human side had always been overlooked in an attempt to portray her on the antipodes of a scale ranging from being saintly devoted to a lovelorn woman. The translation will add a whole new human facet to the existing prismatic images of Meera, a perspective that had been conspicuously missing in the existing accounts.
Meera is feudal, a rebel, a devotee, a poet and many more. She led human and eventful life. She never felt alienated or free from womanly passions and was creation of the society she lived in. Meera believed ‘Soney Kaat na lagey’. (Gold never rusts…). In Meera Vs Meera an attempt is to conserve the ‘real self’ of Meera, left over by the multiple interpretations over and through the centuries.The Marxist critics and neo-feminist activists highlighted Meera’s narratives related to her courage and self-determination, which she exhibited during her times. In this process the human aspects of Meera were completely side-lined which is far more evident from her poetry. Meera is feudal, a rebel, a devotee, a poet and many more. She led human and eventful life. She never felt alienated or free from womanly passions and was creation of the society she lived in. Meera believed ‘Soney Kaat na lagey’. (Gold never rusts…). In Meera Vs Meera an attempt is to conserve the ‘real self’ of Meera, left over by the multiple interpretations over and through the centuriesSKU: n/a
There are no reviews yet.